Ameena


Alai



Like high tide dried on my skin, memories of the waves,
sun and shore, I remain, I REMAIN.


Toub Toub Ya Bahar - is the only Ceremonial performance done by enslaved women. It took place on the shallow waters of the Persian- Arabian Gulf pre-oil period.  The act is performed to converse with the sea as a person, to make merit, to form a power-play with the spirit world to bring back the pearl divers from the depth of the sea realm.  The ritual performance was a prayer to some women, to others it was a way to express resentment to slave owners and the sea. Some might view it as affirm one’s devotion by carrying out a particular commandment or practice. Exhausted enslaved  women would perform the ritual on the fourth month during the pearling  season, they would gather and walk in rhythmic movement into the sea, some will sing, some will play the drums, others preform repetitive ritualistic acts, like dipping a cat into the water to communicate with the sea, also burning the sea with hot iron or a wooden piece, others  throw sharp items to cut the sea open and lastly, they preform a cleansing act by  pouring  a laxative herb. The sea becomes the rival , and the only way to its salvation is to redeem itself.







Redeem yourself O’sea

It is the fourth month, and the fifth is coming along.

Bring them back, I beg you, o’sea

Aren’t you afraid of Allah ( God)

O’Lime tree, Bring Rumi back with the jewel

O’Hussain, come back from the sea of imagination

O’pearl, drag Shamlan from the sea’s ears  

O’fire, bring Mohammad the goblin back

O’Corals, bring us back Winyan  

O’ You, the precious sinful jewel ( pearl)  

Aren’t you afraid of Allah ( God)

Aren’t you afraid of Allah ( God)

Aren’t you afraid of Allah ( God)

Bring them back, I beg you, o’sea

Bring them back, I beg you, o’sea